Friday, 21 November 2008

Gigs of the Week - November 21st

It's been kind of a busy week so I've missed a few good gigs that have already occurred. Here's what's on for the remainder of the weekend. I know that Brisbane residents tend to stay indoors at the slightest hint of bad weather, but don't let the rain keep you at home!

Friday 21st:
Dead Letter Chorus (NSW), Little Scout, Conor MacDonald (The Gin Club) @ The Troubadour
Strange Attractors, DZ, Comic Sans, Biff Co @ Tongue & Groove
The Red Paintings @ The Arena

Saturday 22nd:
Texas Tea (Album Launch), Timothy Carroll, Jacob S Harris, James McCann (Vic) @ The Globe
Common People: To The North, No Anchor, Fickle Beasts @ Rosie's (Upstairs)
SixFtHick, Gentle Ben & His Sensitive Side (7" Launch), Slug Guts, The Narwhals @ The Troubadour
4ZzZ's Dub Day Afternoon: The Upsteppers, Surgeon General Sound, Fyah Walk, Elephant Wise, Dubmarine, Rhythm Collision Sound, Kingfisha, Champion Sound, Gregwise, Samedi Sound System, Hell of a Hat, Selecta Bing, Lao Mirador, Potato Master @ Step Inn
Game On: Yeo & The Freshgoods @ State Library
Jason Elliott, Tom Hall, Colin James @ GoMA (1pm) - Providing a live score to Fritz Lang's 'Spies'. Part of the German Expressionism & Beyond festival.
Buddkiller, Kewpie Doll, The Busymen @ Clarence Corner Hotel

Sunday 23rd:
Live Spark: Ranger, Let's Go Naked @ The Powerhouse (3pm)

Monday 24th:
Blue Trial Records, Princess Rodeo @ Ric's Bar

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Wednesday, 12 November 2008

Review: The John Steel Singers - In Colour EP

The John Steel Singers are doing some pretty big things these days - I can't imagine them fitting into Ric's anymore. After their debut EP (which was re-released with some extra tracks as The Beagle And The Dove) and some significant tours with bands like The Polyphonic Spree and The Grates, they've released a new EP in the form of The John Steel Singers: In Colour.

The EP can be fairly evenly split into two conceptual halves - the end of the record features two indie-country/pop songs that could have easily fit on The Beagle And The Dove, while the first half of the EP sees the band exploring a more 'spacey' sound than their previous release (and as such contains the more successful offerings in my opinion). In Colour opens with its best cut, the repetitively psychedelic 'Rainbow Kraut'. Built mostly around a repeating fuzz-bass riff it's one of the more interestingly structured songs that band have written, and certainly the most aggressive sounding (probably most akin to 'Smashing The Speed Of Sound' from the previous EP). The repetitiveness of the song's central riff seems to stretch it out for much longer than its 4minute running time, which is probably a good thing. Below is the equally psychedelic (and fairly cool) video clip for the song.


Track two features one of the bands oldest numbers, 'Luxembourg'. The song continues the moody feel of 'Rainbow Kraut', having traded some of the bounce and energy of its original live version for space and atmosphere, becoming the dreamiest song in the bands ouvre (personally I prefer the earlier, more dynamic live version, but this particular recording makes it somewhat more unique and probably fits more with the sound of In Colour). I do like the way that they've slightly dirtied up the end of the songs with some ever-so-dissonant guitars.

Returning to the slightly countrified 60's pop found on The Beagle And The Dove, 'Mother' (as with 'Luxembourg') is another song that the band have been playing for a while now. This song features incongruously poppy verses (with their pseudo-murder-ballad lyrics) against a bridge riff ripped from The Flaming Lip's 'Be My Head' - I should also note the really cool little distorted guitar part in the chorus. The recording makes it sound kind of like a My Morning Jacket song, such is the liberal use of reverb over the whole track. It kind of robs the track of some of its impact - those big riffs in the middle of each verse don't quite have the impact that they once did. Still, the requisite string-and-horn filled epic outro is successful.

'Harlequin Maid' is kind of a strange one - on paper it should be a killer song, it contains all of the ingredients for a great pop number: a clever melody, colourful harmonies, a good bouncy rhythm. Despite that it just fails to engage somehow - as a friend put it, the song is great while you're listening to it but once it's done it can be difficult to remember how it went. Perhaps it's a matter of the song being too clever and polished for its own good? Again, the reverberant recording seems to rob the song of some of its power - it's so light and airy that there's nothing left to really grab a hold of. There is a pretty killer guitar riff in the chorus though, the chamber-pop middle-section is quite fantastic (and the one example of the music really benefiting from the spacious production), and the outro reminds me of Blur (in a good way), so perhaps it's just more of a grower than the others.

'Rainbow Kraut' is definitely one of the most accomplished numbers in the JSS songbook, but personally I don't find the rest of In Colour to be quite as strong (which isn't necessarily to say that the other tracks are weak by any means). I would LOVE to see the band go in and record a fairly live sounding album next, forgoing some of the bells & whistles and extra polish that they've had on their two releases so far (two if you count the initial self-titled EP and The Beagle And The Dove as one release). They have 6 members on multiple guitars, multiple keys, horns, 3 singers, mandolin... they're certainly not lacking for instrumentation, so pretty much anything they put down is going to sound pretty massive and lush. I'd like to see them to take a 'less is more' approach every now and then, so that those really big, orchestrated moments have a chance to seem as huge as they should. Well, that's my preference.

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Gigs of the Week - November 12th

Lots on this weekend. Too much, even.

Wednesday 12th:
Grasshopper @ GoMA (4pm) - Soundtracking 'Alraune' as part of Out of the Shadows: German Expressionism & Beyond.
Buildings Melt, Monster Monster @ Ric's Bar

Friday 14th:
Secret Birds, Mr Maps, Loomer, Deux Garcon @ The Hangar (151 Musgrave Rd, Red Hill)
The John Steel Singers, Cuthbert & The Nightwalkers (NSW), Major Major (Vic) @ The Zoo - JSS launch their 'In Colour' EP.
Wine In The Teacups Variety Show: Vanessa Hodgins, Emma Hales, Madeleine Johns, Laura K @ The Valley Studios
The Bakelite Age (Vic), Vegas Kings, The Z-Rays, The Heels @ The Step Inn

Saturday 15th:
Mass Migration (EP Launch), Tom Cooney, Nikko, Monster Monster @ The Hangar (151 Musgrave Rd, Red Hill)
Crux (NSW), Scum System Kill (NSW), No Anchor, Septic Surge @ Club Russia (15 Trafalgar St, Woolloongabba) - All Ages.
The John Steel Singers, Little Scout, Blue Trial Records @ Bon Amici's (Toowoomba)
Hungry Kids of Hungary, Flamingo Crash, My Fiction @ The Valley Studios
Jamie Hutchings (NSW), Tim Steward, Ben Salter @ The Troubadour
Major Major (Vic), Tragic/Athletic @ Ric's Bar
The Estates, Les Modernaires @ Ric's Bar (4pm)
Common People: Ninety Nine (Vic), The Rational Academy, Land What Land (USA) @ Rosie's Upstairs
Pocket Music: Collapsicon, Dot.AY, 10k Free Men (NSW), Emergency! Emergency! (NSW) @ Tongue & Groove

Sunday 16th:
Live Spark: The Daisycutters, My Fiction @ Brisbane Powerhouse (3pm)
Ninety Nine (Vic), Do The Robot @ Ric's Bar
Trevor J Ludlow & The Hellraisers, Greg Brady @ Ric's Bar (4pm)

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Sunday, 9 November 2008

Review: Brisbane Sounds 2008

I don't like to get self-referential in a review, but I feel that I can only talk about the Brisbane Sounds 2008 compilation in relation to Before Hollywood's own compilation. Though I have to point out that it should be seen less as a competitive relationship and more as a companion piece of sorts. Indeed, Brisbane Sounds 2008 manages to only cross paths with Stranded on the inclusion of 6 bands; an incredible indication of the depth on Brisbane's music talent given the breadth of each compilation.

Brisbane Sounds 2008 is the brainchild of one Blair Hughes. The Brisbane music afficianado is currently travelling through Europe, using Brisbane Sounds 2008 as a launch pad to advertise and advance the cause of local bands.

The twenty-four bands featured on Brisbane Sounds 2008 mostly flit around the vague genres of pop/rock and alternative rock, but there are a number of widely varying inclusions. Andrew Morris' 'Here You Are, There You Go' opens proceedings with Morris stealing some of Josh Pyke's more commendable traits, while managing to still keep things interesting. The song flows on nicely to The Gin Club's '10 Paces Away' (My previous comments on this song can be seen here), followed by a trio of decent pop/rock songs from Kate Bradley And The Goodbye Horses, The Westminsters, and The Boat People. 'Macy And Me' is Texas Tea doing what they do best (i.e. country-rock); the wistful yet fast paced song is somewhat reminiscent of some of Emmylou Harris' recent work.

Dick Desert & The Shotgun Country Club start to take proceedings in a more rock direction with the surreal 'George Bush's Chicken'. Intercooler and Regurgitator deliver with a brace of pop-punk tunes, while Sixfthick's 'White Light, Wet Heat' is exactly what you'd expect from a band that lists smashing beer glasses on their faces as a hobby. Little Vegas & The Fuzz Parade's contribution, 'Gift Horse', isn't quite on par with their current material, but entertaining none the less. The Butcher Birds' 'The Deal' is a rumbling grunge number, followed by the Warm Guns' unique 60's girl band/garage rock combination, and Black Mustang's ultimately forgettable Stereophonics/T.Rex mashup, 'The One'.

The Vegas Kings' witty 'I Great Ape' is one of the highlights of the compilation, but it rubs up against the frankly horrible 'Sense Of Falling'; Upsize's contribution sounds like a karoake version of a forgotten Cold Chisel song. I Heart Hiroshima thankfully rescue things with the excellent 'Punks' (Previously reviewed here), and Gentle Ben & His Sensitive Side maintain the quality. Big Red Candle's 'Tropic Of Cancer' is a strange mix of The Fall and Black Flag, which, amazingly, they manage to pull off successfully. Butterfingers' serve up a slice of their unique brand of hip-hop with 'Nothin' Much Happens'. Personally I'm not a fan, but they definitely have their audience; basically if you like Hilltop Hoods, Blink 182, and Eminem, you'll probably enjoy this.

The Whats' 'Ants' is next, and, I have to say, I was pleasantly suprised by this song. The almost 8-bit track has an excellent set of lyrics, but it fits uncomfortably between Butterfingers and the next act, Kissy Trouble Company, who provide an interesting take on the current blue-eyed soul revival (i.e. Amy Winehouse, Duffy, Adele, etc.) by taking the voice and backing it with an electronic sound akin to Jamie Lidell or Fujiya & Miyagi. The Late Great Russian Revolution's 'Gettin Lucky' is an interesting instrumental punk track, but it feels somewhat like filler here at the end of the compilation, whereas the closing song, 'Alcohol' by Spitfireliar, is just downright dumb Oi! punk.

The drop in quality towards the end of the compilation doesn't detract too much from the overall experience, however. Brisbane Sounds 2008 is an interesting and rewarding take on one of the many spectrums of Brisbane's musical output. Hughes has made a valiant effort here, and he can only be wished luck in his mission to spread the gospel of Brisbane sounds.

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Thursday, 6 November 2008

Gigs of the Week - November 6th

Here's a smattering of shows for the weekend.

Thursday 6th:
Yeow Meow, Lionbird @ Ric's Bar
Smoke Or Fire, The Gifthorse, Jet Set Ready @ Rosie's

Friday 7th:
2 High Festival: Wind & Brackets, Travelling So & Sos, Idle Cranes, The Faze, Golden Sound @ Brisbane Powerhouse
Respect #3 Soul Club: Grand Atlantic, Villains of Wilhelm, Drawn From Bees @ The Troubadour
Fickle Beasts, Mt Augustus, McKisko, Anonymeye @ Tongue & Groove

Saturday 8th:
2 High Festival: Butcher Birds, Stature::Statue, Skinny Jean, The Cairos, My Fiction, Chocolate Strings @ Brisbane Powerhouse
Arrows, To The North, In Sepia, Willows @ Fat Louie's Pool Hall

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Wednesday, 29 October 2008

Gigs of the Week - October 29th

There's a lot on all through this week. Plenty of Halloween gigs if you want to get your dress up on.

Wednesday 29th:
Benjamin Thompson & Matt Jonas @ GoMA Cinematheque (4pm) - Another show in the German Expressionism And Beyond series. The film at this show will be 'Asphalt', with music performed by Ben Thompson (Rational Academy, Yeow Meow) as well as ex-Brisbane resident and ex-Shuriken member (R.I.P.) Matt Jonas (aka Aoi if you want to see his other shows this weekend). Free Entry.
Dead Riot, Del Toro, DZ @ The Zoo

Thursday 30th:
Charge Group (NSW), Tragic/Athletic, Chalk & Cheese @ The Troubadour
Decline of Modern Civilisation: Cleptocleptics (NSW), Aoi, Baaddd (NSW), Joel Saunders @ Tongue & Groove
11th He Reaches London (WA), Paper & The Plane, To The North, Art Vandelay @ UQ Red Room

Friday 31st:
No Anchor, Yeow Meow, Influenza, Loomer @ Tongue & Groove - They're giving away a BMX to whoever has the best Halloween costume.
The Quickening, Hollow, Mouthguard, SpireFireLiar, Team Dickhead, Perhaps Maybe?!?, Spank Sinatra @ The Troubadour
Vegas Kings, Zebra Rodeo, The Drowning Kittens @ The Globe - with burlesque and more. I missed this one somehow, so sorry for the last addition.

Saturday 1st:
Cloud Control (NSW), Little Scout, Swaying Buildings @ The Troubadour
Aoi, Cleptocleptics (NSW), Prince Nod, Monster Monster @ Step Inn
Camilla Hannan & Thembi Sodell (VIC) @ GoMA Cinematheque (1pm) - Another German Expressionism show, this time to 'Moulin Rouge' (the 1928 silent version, not the Baz Luhrmann one).
Edward Guglielmino, Megaphone Diplomacy (UK), Seaplane, Fox And Arrow @ The Hangar
The Black Market Rhythm Company, Skinny Jean, Fasttrak Euphoria @ The Globe
Black Mustang (Album Launch), Little Vegas & The Fuzz Parade, The New Jack Rubies, Stratton @ The Zoo

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Monday, 27 October 2008

Eat Laser Scumbag, Violent Soho, Dick Nasty, Turnpike, No Anchor @ Step Inn (24.10.08)

On paper this looks like some sort of dream local lineup... and that's pretty much how it was in actuality - two of Brisbane best noise-rock bands (Turnpike and No Anchor), two of its most respected punk acts (Dick Nasty and ELS) and the city's premiere early 90s revivalists. What more could any volume loving music fan ask for in a local show?

At the start of the night a friend commented that any one of the five bands on the bill could have been headliner and noone would have complained. As it was, No Anchor were the 'unlucky' band who were given the job of opening the evening. At about 8:30PM, with the venue still largely empty, No Anchor took to the stage and began their aural bombardment of the audience. The set contained a mere three songs yet went for around 30minutes - the opening song was a comparatively laid back (for No Anchor) number that sounded somewhat like Kyuss jamming on a multitude of variations of the one riff for 10minutes, the middle track was a more dynamic number with some fantastic riffs, and the closer was probably the heaviest song the band have yet created (which means it's damn heavy). None of the songs were from the band's debut Fire Flood And Acid Mud from a few months back; instead, all three will be featured on a soon to be recorded album set for release in the new year (full disclosure: I recorded No Anchor's debut album and will be doing the same for their next... and damn if I'm not super excited about hearing those songs over and over for a few days).

On the flipside, not everyone seemed so impressed by No Anchor - while the majority of the crowd were totally into the band's crushingly heavy stoner/doom rock, I did see one audience member turn to his friend at the end of the set and remark 'I just don't get it' to his friend.

By the end of No Anchor's set the crowd was starting to swell, and by the time Turnpike hit the stage the room was nicely filled. I'm sure there were a number of people in the audience who thought that Turnpike could have easily headlined this show, and the band put on a performance that I'm sure had a few more people thinking this by the end of their set. I had seen the band play a smaller show the previous week at Club Russia (with Mr Maps), and that show was one of the better that I've seen from Turnpike. Friday's was even better. As is usually the case in the band's sets recently, most of the material was unreleased - I think there was 'Selling This Century' from their split with Del Toro and 'Do The Broken' from Humans Find Patterns, with nothing from prior to that. It didn't really matter, the new songs have been in their sets for long enough that they've become quite familiar to most fans, and the band plays them with such ferocious energy that it wouldn't matter if noone had ever heard them before. Adam King plays with such energy and intensity that it seems a wonder that he's able to fret a single chord, such is the way that his body thrashes around on stage - by the end of the set there would not have been a single square inch of his shirt that wasn't saturated with sweat. Even in the last song, where the strap kept coming off his SG, he barely missed a beat.

Dick Nasty are not a band that I would profess to having an intimate knowledge of - I've seen them around town quite a number of times over the years (what regular indie/punk gig-goer in Brisbane hasn't?) but I don't own any releases of theirs. That said, they're a hugely solid punk band with few peers in this city. Unlike the previous bands, who both preferred extending their songs well past the 6minute mark (I think there had been a total of seven songs performed between the two bands prior), Dick Nasty's set consisted of track after track of short, concise and precisely played punk rock. With two guitarist/singers flanking the supremely tight rhythm section, Dick Nasty blasted through their set like a finely tuned machine (with just the right amount of chaos thrown into the mix).

Violent Soho were the 'name' band of the evening, and this showed in the packed crowd who stood around to watch (though it wasn't long before people were doing much more than merely standing around, with things escalating to a bit of crowd surfing by the end of the set). I have to admit that I don't hold the band in the same esteem as a lot of other local music fans, but there are two things that are fairly inarguable: 1) they can write a damn fine song around an early 90s guitar riff, and 2) they put on a pretty fantastic show. The band pulled out the majority of their crowd-pleasers: 'Jesus Stole My Girlfriend', 'Muscle Junkie', their cover of God's 'My Pal', 'My Generation' (not The Who song), 'Son of Sam'... actually, they do have quite a number of good songs, don't they?

One other notable thing about their set: it was heart-warming (in a tough, masculine way) to see the band so clearly appreciative of the people who have been supportive of them through their four year existence, with many thanks going out to the other bands on the bill, the crowd, the venue, and Brisbane music supporters in general. This was best exemplified when the band leapt (quite literally) to the defense of some of their friends who were being ejected from the venue for being excessively rowdy (I guess). While the lead guitarist and bassist left the stage for a few minutes to negotiate with the bouncers and venue staff, the drummer and singer were left to entertain the crowd with the opening riff of 'Jesus Stole My Girlfriend' (I *think*) repeated ad infinitum. Eventually the rest of the band returned with the news that everything had been sorted out and that the perhaps overly enthusiastic audience members had been let back in. I can't think of another time where bouncers have changed their mind over such an incident, so kudos to both sides, and extra kudos to Violent Soho for not being tempted to have a go at the bouncers from the stage after the incident.

Eat Laser Scumbag were a last-minute addition to the lineup, with half the band coming up from Melbourne in order to play the show. Although the members Eat Laser were operating on various degrees of lack of sleep and a limited amount of rehearsal, for the most part you wouldn't have picked it. They sounded like they pretty much always did - lively punk rock that's a bit rough around the edges delivered by four guys who seem to be having a hell of a lot of fun on stage. Bassist Adam Scott provided some humour to procedings after a request came to from the audience for the removal of various clothing items from the band, in the end being the recipient of one young lady's underwear (hi Jess!). Even though they weren't the 'biggest' of the bands to play on the night, they were the perfect way to end things - songs that were energetic enough to capture people's attention even as the time crept towards 1am, a relaxed and fun vibe, and the return of one of Brisbane more loved groups.

I can't think of the last time I saw this many local bands putting on such great performances in the one evening. Luckily for you, you can either relive the evening (if you were there) or experience it for the first time (if you weren't) by heading over to Turn It Up To 10 and downloading the audience recordings of all five sets. Thanks Brendan!

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Sunday, 26 October 2008

Apologies, Promises and Requests from China

Like the title says. First, apologies; it's been quite some time between posts from me. My enthusiasm had temporarilly lapsed, but now it's back, an hopefully for good. As you might know, I'm currently living in central China, but I've brought with me a decent supply of Brisbane music. This brings me to my promise; I plan on posting an article weekly. At least until I run out of albums to review!

Finally, the request. One of our readers, Stuart, has been kind enought to post a review of 'Stranded' on Rate Your Music, and we were hoping to hear feedback from more of you. If you go to the page for the compilation you can post any comments; be they positive or negative. You can also rate 'Stranded'. Currently it's sitting at #474 for 2008 releases, but with a little help we could possibly hit the top 100! The general consensus when putting the compilation together was that if we got an enthusiastic enough response, we would try to do it again in the future. So if you are anticipating a 'Stranded:2008-2009', then you're going to have to put a little effort in!

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Review: BigStrongBrute - Gardens In The Gutter

I've been meaning to review this album for months now (along with a number of others), so I apologise for it being a little late. BigStrongBrute is a five piece led by singer/songwriter Paul Donoughue (who has also been a member of The Rational Academy, Tragic/Athletic, and Yeow Meow), and they have proved themselves capable of chanelling the spirit of bands such as those found on Elephant 6 and K Records. Indeed, Gardens In The Gutter could be described as pleasantly lo-fi, at least as much as something can be called lo-fi in this digital age.

'Marriage' is a brief, opening track; a simple acoustic number with layered vocals. While the song isn't all that remarkable, Donoughue's refrain, "I complain too much", manages to set the mood for the album quite well. 'Annulment', on the other hand, is an enigma to me. Every part of the song seems wrong, from the rhythm section lifted from Le Tigre's 'Deceptacon', to the ridiculously corny lyrics ("I'm getting hungry like a small pack of wolves"), yet BigStrongBrute somehow manage to pull it off.

Even if 'Annulment' was the car crash that it really should be, the next track, 'Children', would be the jaws of life that saves the day. Donoughue's lyrics are at their best here ("Cross my legs like a child/Sit straight back and just fucking smile."), as is the rest of the band. The track is a dense pastiche of acoustic guitar, reverbing drums, panning vocals, and rusty brass soloing. The slow, stomping "Everything All At Once" follows on; the sound is almost Gallic, calling to mind Beirut's The Flying Club Cup. "Don't Sweat It, Honey" is another standout. The rhythm section feels to be constantly teetering on the edge of collapse, at least until the song hits the chorus. At this point every aspect of the song comes together to create a simple, yet effective sound.

The somewhat underwhelming title track is next. While Donoughue's lyrics are only slightly below-par here in comparison to the rest of the album, 'Gardens In The Gutter' is musicaly lacking. It also feels like BigStrongBrute knew this, resulting in a minute of jamming and electronic trickery being tacked onto the end of the track; the outcome being that the song detracts from the coherency of the album as a whole. 'Birds And Elephants' sees the quality of the album picking up again, with its slow, rolling, almost country sound mixing well with the 'bunch of drunk mates jamming'-vibe the song exudes (Quick disclaimer: This song was featured on the compilation, Stranded, that we recently released). The untitled closing track sees Donoughue dueting with bandmate Nadia Aguilar-Hernandez. The song is simple, yet effective, with Donoughue showcasing his playful lyrics ("I don't need no rocking chair/I can rock most anywhere, darling"), as well as a suprising dislike for Baltimore (The Wire fan maybe?).

Gardens In The Gutter can be a little shaky in places. As mentioned, the lyrics can verge on cliched and corny, the music can be patchy and even bland in places, and the recording style may put off some listenets. But the lows are not so low that they detract from the highs, and the latter outnumbers the former here. Donoughue is a promising lyrical talent, and, with time, BigStrongBrute may grow to meet his potential. For a self-recorded debut, Gardens In The Gutter is an excellent effort, and hopefully a launching pad for further releases from the band.


Update: Apparently the closing track is a cover of an Entrance song. Thanks Joel for pointing that out!

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Thursday, 23 October 2008

Gigs of the Week - October 24th

Friday 24th:
Eat Laser Scumbag, Violent Soho, Dick Nasty, Turnpike, No Anchor @ Step Inn - Recommendation of the week.

Saturday 25th:
Connect Four Art Party: Hungry Kids of Hungary, Restream, Do The Robot @ The Valley Studios - With added DJs, burlesque, art and more.
Rock Against Chicks: Girl With Cake, The Old Order, Legions of Mary, Flying Squad @ Clarence Corner Hotel
Secret Birds, No Anchor @ Ric's - No Anchor's myspace doesn't list this show, the street press has them under a psuedonym, and the Ric's website has them listed as a definite.

Sunday 26th:
Teleprompter, Velociraptor @ Ric's Bar (7:45pm)


And that's about all that catches my eye this weekend, as far as local shows go. Note that there's a show at Tabu on Friday night featuring Nikko - this show has been cancelled.

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