Showing posts with label Pig City. Show all posts
Showing posts with label Pig City. Show all posts

Saturday, 14 July 2007

Pig City Festival (14.07.07)


It'll be a bit hard describing the atmosphere at the Pig City Festival as it was unlike anything I've experienced before, but I'll give it my best shot. First off a massive congratulations to the Queensland Government, 4ZZZ, and anyone else involved in organising the event. I was unsure what to expect but the Festival definitely exceeded all expectations. Around 6,000 people turned up to the University of Queensland on the day, and they squeezed into the big top marquee. Another congratulations is in order, this time for the sound crew. Pig City was probably the first festival I've been to where there hasn't been a major technical fuck-up. But now to the performances.

First off were the Apartments. The opening slot is a hard ask for any band, and Peter Milton Walsh led the band through a well preformed set; albeit one lacking in any sort of fanfare. With a selection of old and new tracks the Apartments set an excellent precedent for the day.

Next off the mark were Screamfeeder. The trio, sporting stalwarts Tim and Kellie and new recruit Steph on the drums, launched into a set made up of some of their more energetic songs. 'Explosive Friends', 'Hi C's' and '1 2 3 4 5' were stand out tracks and the band left the stage with the crowd salivating.

The Ups & Downs were the only band on the lineup I was unfamiliar with, and after their first few songs I was still skeptical. I was soon swept away by their beautiful melodies, however, and by the time they broke into 'The Living Kind' the entire crowd was singing along. 'In The Shadows' and 'Perfect Crime' capped off a perfect set; one which the band seemed to enjoy as much as the crowd.

While at first glance Kev Carmody may have seemed an odd participant in the festival, his banter in between songs demonstrated how integral part of Brisbane music he is. Kev is as much a storyteller while speaking as he is singing, and his tales of Brisbane's past entranced the crowd, as did the songs 'Thou Shalt Not Steal' and 'Images of London'. A beautiful rendition of 'From Little Things Big Things Grow', in which the entire crowd sang out the chorus (as they did for Kev's take on 'Midnight Special' also), had to be one of the highlights of the day.

Following on were the ever-entertaining Pineapples From The Dawn Of Time. The seven-piece, which included go-go dancers and clergymen among its numbers, got the crowd rocking and dancing with its quirky psychadelia. 'Saha' and 'Too Much Acid' were set highlights (probably the only band who you'll ever hear sing "one day I'll shave my back for you").

My failure to read the set times properly meant that I missed the one-song set by The Parameters and thus the next band I saw were Dave McCormack and the Polaroids. Kicking off with one of my all-time favourite tunes, 'Bedford', Dave & co. played a tight set comprising mostly of Custard songs (with a little laser gun thrown in for good luck). An amazing performance of 'Alone' was followed by 'Girls Like That' and 'Apartment'; both of which got the crowding singing and dancing again.

The singing and dancing didn't stop as The Riptides hit the stage. While many of the songs lacked the rawness of the recordings nothing could stop the crowd from jumping around. The Riptides upped the ante towards the end with 'Shake It' and 'Sunset Strip' both of which received rapturous applause.

Regurgitator were the first band of the night to run into trouble (keyboard and microphone malfunctions, both of which were soon rectified). Fortunately they were also the most energetic band of the night, and blew away the problems with and excellent set. The band mixed a set of classic songs ('I Sucked A Lot Of Cock', 'My Friend Robot', 'I Wanna Be A Nudist' some of the best) with two excellent sounding new songs (the questionable 'Blood & Spunk' being the best of the two); all in all a perfect entree to The Saints.

Next up was the Go-Betweens tribute featuring Kate Miller-Heidke and the Brisbane Excelsior Band. While the set may have been awkwardly placed between the two loudest bands of the night, the crowd enjoyed the short set comprising of soaring versions of 'Streets Of Your Town', 'Clouds', and 'Cattle And Cane', the latter of which ended in some opera from Miller-Heidke; something which seemed to unsettle the elderly punks standing behind me.

Well, what's there to say about The Saints? Arriving on stage to tumultuous applause the original trio, aided by a stand-in bassist and a three-piece brass & saxophone section, quickly launched into a searing version of 'Swing For The Crime'. While the band perfectly executed the first three numbers they didn't hit their stride until 'No Time'; a song frontman Chris Bailey claimed resulted in the band being kicked out last time they played it at UQ. The song, now with added brass section, showcased the amazing roar of Ed Kuepper's guitar. A crowd sing along to 'A Minor Aversion' preceded a hilarious monologue by Bailey which segued into the Saints' trump card '(I'm) Stranded'. While Bailey mistimed the first few lines of the song it was difficult to notice with thousands of people singing along. The set reached another highpoint with 'Know Your Product' with it soaring trumpet and Bailey's massive stage presence sending the crowd into hysterics. Following this was a soaring rendition of 'Messin' With The Kid', a song that benefited greatly from the touch of horn the Saints added. The band rounded up the set with an epic 7-minute rendition of 'Nights In Venice'. Returning to the stage for the encore they performed a haunting version of a song I can't for the life of me name (points for you if you can tell me what it was) as well as a fired up version of 'River Deep, Mountain High'. Overall I enjoyed The Saints first proper gig in over 25 years. While a few people were taken back but the achingly over the top performance Chris Bailey gave (To quote MP: "the self-indulgent little turds."), the contrast of Ed Kuepper's and Ivor Hay's excellently subtle performances combined for an amazing spectacle in my eyes.

All up it was the best day I've had all year and here's to the Queensland Music Festival rocking it out next year!

Check out the photos I took here.

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Wednesday, 11 July 2007

Cam's Gigs of the Week - July 11th, AND Pig City: Ups And Downs

Go to the Pig City Festival on Saturday. Seriously. I can't, because I'm in Melbourne this weekend (which reminds me... any Melbourne readers, go and see this). However, if you're in Brisbane then you should go to Pig City.


Otherwise go and see...

Friday 13th:
The Rational Academy, Charlie Curse @ Ric's Bar - Indie-pop.
Whiskey Go Gos, The Gin Club, Texas Tea @ The Troubadour - Raw rock and alt.country.

Saturday 14th:
Do The Robot, Sweet Lady Brick @ Ric's Bar - Indie-pop Mk II.



I was supposed to do a write-up for the Ups And Downs but I've been so busy lately that I haven't really had the time. I suppose that this is my last chance, so here's a few quick words...

The Ups And Downs were started by the brothers Atkinson (being Greg and Darren) in the early-to-mid 80's. They played a dreamy brand of jangly guitar pop-rock ala bands such as The Church and Cocteau Twins. As with many bands from that era, they never really gained a real following in Brisbane, and so moved down to Sydney partway through their career. They had a rather successful single in 1986 with 'The Living Kind', which introduced the band to overseas listeners (namely the UK). However, bad timing and bad business decisions meant that the band missed the boat in terms of 'making it' overseas, eventually breaking up in 1990. The Atkinson brothers (Greg moreso than Darren) continued to make music in a somewhat noisier, grunge-inspired band that some people may still hear being played on JJJ from time to time... that being Big Heavy Stuff (of whom I was/am a huge fan... 'Maximum Sincere' is still one of my favourite albums).

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Sunday, 1 July 2007

Pig City: The Apartments


While the Go-Betweens may now be defunct following the death of Grant McLennan, the Pig City festival will play host to their closest relative, The Apartments, a band that share striking parallels with Brisbane's most critically-acclaimed band.

Led by Peter Milton Walsh (himself a former Go-Between), The Apartments are one of most fondly remembered bands to emerge from the Brisbane music scene in the late 1970's. The band formed in 1978 and, under the able leadership of creative spark Walsh, soon became a formidable band. The Apartments, however, were a stark contrast to the punk bands which made up the Brisbane scene, and the band had quickly fallen apart by October 1979. They posthumously released their debut EP, Return Of The Hypnotist, later that month.

In 1984, Walsh revived The Apartments and began recording their debut album, The Evening Visits And Stays For Years. The album, released in 1985, showcased their unique influences, melding the familiar style of acts such as the Velvet Underground and Bob Dylan with more diverse influences, ranging from Serge Gainsbourg to Big Star. The Evening Visits... became a cult classic in Europe, yet, similar to the Go-Betweens, received little attention in Australia.

Their follow up, titled Drift, was not released until 1992. Drift built on the success of its predecessor, with a heavier, post-punk inspired sound heard throughout the album. 1995 saw the release of their third LP, A Life Full Of Farewells, which is considered by many to be their greatest album. The Apartments, now based in France, quickly followed up this success with FĂȘte Foraine in 1996, and Apart in 1997. Both of these albums continued the form found on A Life Full Of Farewells. Following the release of Apart the band broke up for a second time, and Pig City will see what is only their second show in a decade(they played The Troubadour a week and a bit ago).

To hear just what your missing check out these treats:

The Apartments' Myspace

Mp3: The Apartments - Help (Return Of The Hypnotist EP)

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Sunday, 3 June 2007

Pig City: The Riptides

Second up in our Pig City are surf-punks The Riptides, a band whose influence on the Brisbane music scene was short but intense. The Riptides (formerly The Numbers) had a rotating membership, based around founder Mark Callaghan (later a member of GANGgajang), during their existence between 1977 and 1983. While they had made the move to Sydney by 1980 it was their energetic live shows and the Sunset Strip EP (released in 1978 on the Go-Betweens' Able Records) that made them Brisbane legends.

Check out The Riptides' Sunset Strip EP on their myspace.

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Wednesday, 30 May 2007

Pig City: The Saints

What is there to say about The Saints? They are a band that has been credited as the first punk band by some sources, and not punk whatsoever by others. What can be said is that they, along with the Go-Betweens, have been the most influential band to come out of Brisbane. The Pig City show will feature the original lineup of The Saints performing properly together for the first time since the band splintered in 1979.

The Saints were formed in 1974 (previously under the moniker Kid Galahad and the Eternals). Taking their cues from the Detroit proto-punk of the Stooges and MC5, as well as earlier rock'n'roll and R'n'B' artists, they soon developed a sound of their own. The original lineup of Ed Kuepper, Chris Bailey and Ivor Hay were soon joined by Kym Bradshaw. In September 1976 they released their stellar debut single '(I'm) Stranded' followed by an album of the same name in February 1977 (Both of these releases predated releases by bands such as the Damned and the Sex Pistols).

Following the release of their debut album they moved to the UK where they quickly become disillusioned with the emerging punk scene. This lead to a more R'n'B sophomore effort later that year, the explosive Eternally Yours, which introduced a brass section to many of their songs. This shift in genre continued with their third album, Prehistoric Sounds, released in 1978.
The continued commercial failure of the band and the pressure of the UK punk scene led Ed Kuepper and Ivor Hay to leave the band in 1979, with Kuepper going on to form jazz-punk legends the Laughing Clowns, while Chris Bailey continued on as The Saints, with a constantly rotating lineup, to this day.

A quick look at the people who cite The Saints as an influence will demonstrate why they were so important. Apart from basically every Brisbane band, musicians as far flung as The Hives, Bob Geldof, the Birthday Party, Phoenix, and Fu Manchu have been inspired by the music of The Saints. So now you know a bit more you have no excuse to miss what could be the final time the original lineup of The Saints ever play together. As a teaser here are some tunes:

The Saints Myspace
The Saints Myspace #2

And an awesome promo clip for Know Your Product circa-'77. Where's the professor!?!


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Pig City

This year's Queensland Music Festival will feature a unique one-off event showcasing the history of rock music in Brisbane. Pig City, to be held at the University Of Queensland, will see performances by bands who have shaped the Brisbane music scene. The lineup features the quintessential line-up of The Saints, The Riptides, The Apartments, Kev Carmody, Screamfeeder, David McCormack, Regurgitator, the Ups and Downs, the Pineapples From The Dawn Of Time, and Kate Miller-Heidke. Tickets are going for $60 and can be picked up from Rocking Horse or the University Of Queensland Bookshop.

Now this is sure to be a once in a lifetime event so I made sure to get my ticket this week. I was, however, greeted with surprise by the lady at the UQ Bookshop. Apparently i was the first person under the age of 30 to purchase a ticket (she had sold about 100). Come on kids! What are you doing?! Obviously you are all poorly educated so over the next week or so we here at Before Hollywood will be giving you the juicy goss on the acts preforming at Pig City. First up will be the Saints so keep an eye on this space!

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