Showing posts with label stature:statue. Show all posts
Showing posts with label stature:statue. Show all posts

Thursday, 13 August 2009

Idle Cranes, Stature::Statue, Velociraptor @ Fans (11.08.09)

Fans nights have fairly quickly become the hub of a rising new scene of fashionable young indie-rock bands. The audiences they attract reflect that - I don't think I've ever seen such a well dressed, good looking group of people before... except for at the other Fans nights I've attended. They makes the crowds who frequented the old Depot nights (with whom Fans shares a venue - Alhambra, aka No12 - and also the pre-Ekka holiday evening, with The Depot having it's annual reunion just down the road) look comparatively trashy. This particular evening sees Sydney's Talons in town to launch their new album, as well as a record launch for one of Brisbane's own new acts, as well as two other local acts of a similar disposition.

Stature::Statue may have gone through some relatively significant lineup changes in recent times (new drummer, losing a guitarist) but their core sound has stayed pretty much the same throughout their three-year existence - super fast, chaotic post-punk of the 'angular' variety that was very popular a couple of years ago. While many of the bands who appeared around the same time and with a similar sound as Stature have either disappeared or morphed significantly, they've pretty much soldiered on in the same vein. This is no bad thing; they were always one of the best bands around in their chosen style, coming across as more ragged and crazed than their peers.

After seemingly losing their way a little bit a year or so ago when guitarist Dion and drummer Ross left, they seem to be back on track with their newest incarnation. Replacement drummer James has improved by leaps and bounds - where he once struggled to keep up with the rest of the band he now provides a solid backbone. Meanwhile the reduction of the band to a trio has streamlined their sound and allowed one to hear the intricacies of their music much more easily, instead of hiding it all behind a wall of guitar effects and feedback. The result is something that's less At The Drive-In and more like Lightning Bolt being fronted by Steve Urkel (the ATDI comparisons never really fit in the first place anyway - S::S aren't nearly as hooky as that band, and with their explorations of feedback and guitar texture are sonically far more in debt to bands like Sonic Youth and JAMC, albeit with the tempo doubled). I hope they continue with this more stripped back lineup, it suits them well.

Idle Cranes come from similar post-punk stock to Stature::Statue, but with a far hazier, groove-laden feel and generally more variety in musical style. This particular evening they're launching their debut EP, 'Fur Release' (which you can listen to in full via their myspace) - although being 40minutes long I'd be more inclined to call it an album. I've seen the band a few times since the I last wrote about them on Before Hollywood, and they've put on a pretty good show each time - not always mind-blowing but never flat, and always with at least a handful of songs that impress. The usual pick of the bunch is regular set-closer 'Two Horse Race', one of the best shoegazey stoner-rock songs to come out of this city recently (though I can't really think of much competition for them in this category... suffice to say that even if this were a more popular style right now the song would still rate highly). Generally the band puts on their best performances when the atmosphere is somewhat oppressive - hot, drunk and tired is generally the best state in which to appreciate their particular brand of music. This show wasn't the superlative performance that the band might have hoped for in an EP Launch, but I don't think think that was really due to anything that the band did or didn't do. For some reason all of the disparate elements didn't quite gel - the venue, the crowd, the noise, they just didn't come together in the way that one might have hoped for when everything seemed lined up just perfectly. At it's best, though, the sound was all-encompassing, and at its worst it was still better than many other bands could muster.

After Idle Cranes came Sydney's Talons, who put on a pretty great show. I saw and liked them back at the FansFansFans festival a few months ago, so Tuesday's show proved to me that it wasn't a one-off. They don't really fall within the focus of this blog though, so that's all I really have to say about them.

Finishing off the night with a 1am set were local garage collective Velociraptor, a septet featuring members of DZ, The Strange Attractors and Running Guns (and probably a few others). I've seen the band now in three incarnations, ranging from a trio through to tonight's seven-strong lineup. The band seems to think that their music is super primitive rock and roll, but I don't quite know about that. It may not be tech-metal but it's equally not boneheaded two-chord rock, being filled with all manner of stops, starts and breakdowns. For your standard four-piece rock band it might not be massively impressive but given there are seven people on stage (who apparently almost never practice together) it's a pretty good effort. As for the size of the band, there's no real need for that many people in order to play the songs, but that's kind of missing the point - it's all for spectacle, with four guitarists, two drummers and a bassist creating absolute havoc on (and off) stage. There was crowd surfing, audience members being given instruments to play, amplifiers and drumkits being pushed over mid-song, walls of feedback and confusion in between every number. As for the songs themselves, they're pretty damn catchy garage rock tracks, all lead by frontman Jeremy Neale who does a damn good job of attracting interest, especially considering the chaos that surrounds him on stage and the fact that he barely has a chance to address the audience in between songs (and when he does you can't really hear him over the guitar feedback and the conversations of the other band members anyway).

Oh, and they have a song based around the theme song to the original Batman TV series.

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Sunday, 30 September 2007

Valley Fiesta Friday (14.09.07)


Bit late on this one sorry. I missed most of Valley Fiesta this year due to work and moving, but I did manage to catch some bands on the Friday night.

The first of these were Grand Atlantic who were, aside from some standard classic rock maneuvers and poses, pretty lacking in all departments. Also playing on the Chinatown stage was Tim Steward. While Tim is definitely a solid performer and he solo work is some of his best, I just can't help wishing that I was watching Screamfeeder instead.

Next it was off to Rics for Stature::Statue and the Re:Enactment. This was the first time I'd seen the Re:Enactment and they definitely proved that colon's in band names are good thing. The band's take on electro-rock (or electroclash, or indie dance, or nu-rave, or whatever you would like to refer to it as) was refreshing with the goal obviously being to keep the rock at the fore. Stature::Statue are proving how consistent they are by playing yet another wild and exciting set. That said it is only a matter of time before Dion impales an audience member with his guitar. The bands stage antics are definitely outgrowing the small Ric's stage.

The final band I caught was Dave McCormack at The Zoo. The gig was a launch for the soundtrack to the film All My Friends Are Leaving Brisbane, and the CD has an excellent array of local artists. Dave played an excellent set as per usual, with the majority of the songs picked from his work with Custard.

To make up for the lack of a review for the Saturday and Sunday of Valley Fiesta here's a very shaky recording of Tim Steward performing Screamfeeder's 'Modern Morning'.

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Wednesday, 1 August 2007

Wind & Brackets, Stature:Statue, D'arcy @ The Zoo (27.7.07)




Hey readers, sorry about the lack of recent posts but we've had a few extra-curricular activities occurring here (Uni for me, touring for Cam). I'm off to Splendour In The Grass this weekend but hopefully I can squeeze of a few more posts before then. But now to the review.

D'arcy are a member of a crop of similar sounding, but very talented, up and coming southern bands (I was mainly reminded of The Temper Trap). Hailing from Sydney and with indie rock as their weapon of choice they played a tight set comprising of melodic verses and abrupt choruses. Jordy Lane's vocal skills came out the most on 'Great Day', but the set highlight was most definitely the shouty, fast paced 'Abercrombie St.'

Next up were one of my favourite band at the moment, Stature::Statue, who kicked off with the explosive 'Forum Of Wolves'. Trying to photograph the ever-moving proved frustrating so I gave up and just danced after the second song. And that, for me, is the beauty of the band; they have the ability to combine a rhythm section, courtesy of Damien and Ross, that would but Gang Of Four to shame, with the hyperactive, incomprehensible vocals of Luke (Cam's comparison to At The Drive-In is quite apt for the singing), and the heroic guitar work of Dion. I have trouble describing Dion's guitar style, due to the fact that it varies so wildly, but I decided it came down to three things; lots of punk, lots of post-punk and lots of pedals. All of these factors came together perfectly on set-closer 'Make Haste Roman' which got the crowd at The Zoo dancing uncontrollably. Definitely a band to see live if you haven't already.

Finally came Wind & Brackets, a band I hadn't seen live before, and I was immediately struck by how odd the band looked (I was going to say Odd Couple, but there's five of them, Odd Quintet maybe?). Vocalist Tommy looks like a member of a goth or industrial band, lead guitarist Andru rocked a Tupac tee, drummer Wil would have looked more at home playing for Jet, and guitarist and bass players Seagull (That's his name apparently) and Clark come off as run of the mill indie-types. All reservations were put aside as they launched into an energetic set however. The band exuded a very British style of rock, and while the numerous comparisons to The Libertines i'd previously heard were definitely close to the mark, I was reminded of the hardcore influenced sounds of ¡Forward, Russia! and Test-Icicles. Tommy's stage presence and vocal skills, as well as the excellent drumming of Wil, prevent Wind & Brackets from being one of the average indie/post-punk revivalist bands that seem to be flooding Brisbane at the moment. They also have an excellent array of material, with songs such as 'Nu Nu Za Za' and 'Hospitality' certain to stand the test of time. All that said though, the main reason I love these guys is because they closed with an excellent cover of Daft Punk's 'Da Funk'. Enough said.

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Sunday, 22 July 2007

Stature:Statue, No Through Road, The John Steel Singers @ Ric's Bar (20.7.07)

I missed the first band, Twist Oliver Twist, but since I don't get paid to do this that's ok. I didn't talk to anyone who had seen them, so I don't even have second hand information on their set to pass on. You can have a look at their myspace if you want, though.

The first band I did see was The John Steel Singers. Full disclosure: I am friends with this band - I organised two of their first few gigs and I recorded their first demos. With that out of the way I'm free to say that I think that, on a technical level, they're probably the best pop songwriters in Brisbane. Their songs are so intelligent and brilliantly written while still containing amazingly catchy melodies and hooks. With that said, they're not always the most engaging live act (don't kill me guys, hear me out). While I've never seen a 'bad' JSS show, sometimes it seems as though they're content to merely play their songs on stage without really putting a lot of energy into the actual performance, especially in the vocals department (although with the number of 3 part vocal harmonies they employ, maybe I'm asking too much). I'm someone who really values energy in performance, so this is probably more of an issue for me than for other people (and admittedly, I've never seen a JSS show where the crowd wasn't totally into the band). Also, the last few times I've seen the band it's been at somewhat larger venues (The Columbian, The Globe, The Zoo), so maybe it's only an issue in bigger rooms.

Friday would indicate that this is the case, because in the intimite confines of Ric's there was no lack of energy from the band. In fact, I'd say that it was the best set I've seen them play. I could tell that the band have been touring and practicing for their EP launch in August, because they were really tight (without being so rehearsed as to cross over into being somewhat boring). Their songs were as melodic as ever, but they also injected some much-needed noise into certain sections (giving their Kinks-esque pop a decidedly 'experimental-Wilco' feel), while their ambient segues between songs sounded as natural as I've ever heard, not forced like they could sound on previous occasions. I was also pleased to see the return of their two-piece brass section to their live set - recently the trumpet has gone awol, leaving a lone trombone for a song or two per set. Guys, more brass! Said brass was used most effectively on the untitled closing song, featuring one of their catchiest choruses followed by dueling guitars solos and one hell of a chord progression to finish.

Download a live recording of The John Steel Singers' set here (courtesy of ex_king_john of tregbo).
Download their early demos here (featuring songs that will appear on their forthcoming EP in better recorded versions).

Next was No Through Road (from Adelaide), playing in solo 'man-with-a-guitar' mode. The man really faced an uphill battle, playing such music on a Friday night at Ric's, sandwiched between the huge sounding pop of The John Steel Singers and the insane energy and volume of Stature:Statue. To his credit he gained the attention of a decent percentage of the room, largely thanks to his willingness to scream his head off while playing such quiet music. Indeed, if there's one word to describe NTR's music it's 'dramatic'. Maybe even melodramatic. But hell, I'd rather see something that flirts with being over-the-top than something that's safely within the borders of supposed good taste. Overall I can't say that I fell in love with NTR's music on Friday, but I'm certainly interested enough to see them next time they're here in full band mode.

Capping off the night were the super-energetic Stature:Statue. Quick summary of the band: loud, angular, yelly, massive hair. Seriously. Massive hair (although less massive than it used to be, now that the singer has had his cut). My impression of the band is that they sound like what Wolf & Cub would sound like if their influences had skipped a decade or two; instead of sounding influenced by 60s psychedelia and 70s prog rock, Stature:Statue sound more like 70s/80s punk (of both the regular and post- varieties). I guess that puts them in the same league as a lot of other energetic post-punk outfits doing the rounds at the moment. However, I never felt myself thinking 'here we go, another one of these bands'... and I'm not quite sure why. I mean, they're super energetic, with flailing limbs and guitars going every which way, but that's not exactly uncommon in their chosen genre. They have an insane rhythm section, but again, not all that uncommon. Highwire vocals? Nothing new. Good use of effects? Not exactly ubiquitous in the genre, but not exactly unheard of either (although they did use some really cool looping effects on the vocals). I can't quite figure out why they seem better than most other bands that sound like that. Without hearing a good studio recording it's difficult to determine whether it's because of superior songwriting or just a great live show. I think that for the time being I'm going to have to put it down to the Seriously Massive Hair. Hey, it worked for At The Drive In, right?

Oh, and I think that they might sing in Italian sometimes.
if (true) bonusPoints++;

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