Showing posts with label Violent Soho. Show all posts
Showing posts with label Violent Soho. Show all posts

Monday, 27 October 2008

Eat Laser Scumbag, Violent Soho, Dick Nasty, Turnpike, No Anchor @ Step Inn (24.10.08)

On paper this looks like some sort of dream local lineup... and that's pretty much how it was in actuality - two of Brisbane best noise-rock bands (Turnpike and No Anchor), two of its most respected punk acts (Dick Nasty and ELS) and the city's premiere early 90s revivalists. What more could any volume loving music fan ask for in a local show?

At the start of the night a friend commented that any one of the five bands on the bill could have been headliner and noone would have complained. As it was, No Anchor were the 'unlucky' band who were given the job of opening the evening. At about 8:30PM, with the venue still largely empty, No Anchor took to the stage and began their aural bombardment of the audience. The set contained a mere three songs yet went for around 30minutes - the opening song was a comparatively laid back (for No Anchor) number that sounded somewhat like Kyuss jamming on a multitude of variations of the one riff for 10minutes, the middle track was a more dynamic number with some fantastic riffs, and the closer was probably the heaviest song the band have yet created (which means it's damn heavy). None of the songs were from the band's debut Fire Flood And Acid Mud from a few months back; instead, all three will be featured on a soon to be recorded album set for release in the new year (full disclosure: I recorded No Anchor's debut album and will be doing the same for their next... and damn if I'm not super excited about hearing those songs over and over for a few days).

On the flipside, not everyone seemed so impressed by No Anchor - while the majority of the crowd were totally into the band's crushingly heavy stoner/doom rock, I did see one audience member turn to his friend at the end of the set and remark 'I just don't get it' to his friend.

By the end of No Anchor's set the crowd was starting to swell, and by the time Turnpike hit the stage the room was nicely filled. I'm sure there were a number of people in the audience who thought that Turnpike could have easily headlined this show, and the band put on a performance that I'm sure had a few more people thinking this by the end of their set. I had seen the band play a smaller show the previous week at Club Russia (with Mr Maps), and that show was one of the better that I've seen from Turnpike. Friday's was even better. As is usually the case in the band's sets recently, most of the material was unreleased - I think there was 'Selling This Century' from their split with Del Toro and 'Do The Broken' from Humans Find Patterns, with nothing from prior to that. It didn't really matter, the new songs have been in their sets for long enough that they've become quite familiar to most fans, and the band plays them with such ferocious energy that it wouldn't matter if noone had ever heard them before. Adam King plays with such energy and intensity that it seems a wonder that he's able to fret a single chord, such is the way that his body thrashes around on stage - by the end of the set there would not have been a single square inch of his shirt that wasn't saturated with sweat. Even in the last song, where the strap kept coming off his SG, he barely missed a beat.

Dick Nasty are not a band that I would profess to having an intimate knowledge of - I've seen them around town quite a number of times over the years (what regular indie/punk gig-goer in Brisbane hasn't?) but I don't own any releases of theirs. That said, they're a hugely solid punk band with few peers in this city. Unlike the previous bands, who both preferred extending their songs well past the 6minute mark (I think there had been a total of seven songs performed between the two bands prior), Dick Nasty's set consisted of track after track of short, concise and precisely played punk rock. With two guitarist/singers flanking the supremely tight rhythm section, Dick Nasty blasted through their set like a finely tuned machine (with just the right amount of chaos thrown into the mix).

Violent Soho were the 'name' band of the evening, and this showed in the packed crowd who stood around to watch (though it wasn't long before people were doing much more than merely standing around, with things escalating to a bit of crowd surfing by the end of the set). I have to admit that I don't hold the band in the same esteem as a lot of other local music fans, but there are two things that are fairly inarguable: 1) they can write a damn fine song around an early 90s guitar riff, and 2) they put on a pretty fantastic show. The band pulled out the majority of their crowd-pleasers: 'Jesus Stole My Girlfriend', 'Muscle Junkie', their cover of God's 'My Pal', 'My Generation' (not The Who song), 'Son of Sam'... actually, they do have quite a number of good songs, don't they?

One other notable thing about their set: it was heart-warming (in a tough, masculine way) to see the band so clearly appreciative of the people who have been supportive of them through their four year existence, with many thanks going out to the other bands on the bill, the crowd, the venue, and Brisbane music supporters in general. This was best exemplified when the band leapt (quite literally) to the defense of some of their friends who were being ejected from the venue for being excessively rowdy (I guess). While the lead guitarist and bassist left the stage for a few minutes to negotiate with the bouncers and venue staff, the drummer and singer were left to entertain the crowd with the opening riff of 'Jesus Stole My Girlfriend' (I *think*) repeated ad infinitum. Eventually the rest of the band returned with the news that everything had been sorted out and that the perhaps overly enthusiastic audience members had been let back in. I can't think of another time where bouncers have changed their mind over such an incident, so kudos to both sides, and extra kudos to Violent Soho for not being tempted to have a go at the bouncers from the stage after the incident.

Eat Laser Scumbag were a last-minute addition to the lineup, with half the band coming up from Melbourne in order to play the show. Although the members Eat Laser were operating on various degrees of lack of sleep and a limited amount of rehearsal, for the most part you wouldn't have picked it. They sounded like they pretty much always did - lively punk rock that's a bit rough around the edges delivered by four guys who seem to be having a hell of a lot of fun on stage. Bassist Adam Scott provided some humour to procedings after a request came to from the audience for the removal of various clothing items from the band, in the end being the recipient of one young lady's underwear (hi Jess!). Even though they weren't the 'biggest' of the bands to play on the night, they were the perfect way to end things - songs that were energetic enough to capture people's attention even as the time crept towards 1am, a relaxed and fun vibe, and the return of one of Brisbane more loved groups.

I can't think of the last time I saw this many local bands putting on such great performances in the one evening. Luckily for you, you can either relive the evening (if you were there) or experience it for the first time (if you weren't) by heading over to Turn It Up To 10 and downloading the audience recordings of all five sets. Thanks Brendan!

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Saturday, 5 July 2008

Review: Violent Soho - We Don't Belong Here


Pixies, Mudhoney, Nirvana, Dinosaur Jr., Tad, Green River, Pearl Jam, Soundgarden, The Melvins, Sub Pop, Screaming Trees, Alice In Chains, Seattle, grunge, Seattle, grunge, Seattle, grunge, grunge, grunge.

Yes, Violent Soho are a cliché grunge band, and unashamedly so (just check out any one of their press photos for evidence). The beauty of a cliché, however, is that, unless someone comes along every once in a while to enforce it, the cliché ceases to exist. And Violent Soho are enforcers of the highest quality. If you were to listen to We Don't Belong Here without paying attention to the vocals you would be forgiven for thinking Violent Soho should be included in the above list. The lyrics are pure 21st century however. From the apathy of 'My Generation' ("My generation lives in moderation."), and the cynicism (and naivety) of 'Bombs Over Broadway', to the condemnation of our instant gratification culture in 'Muscle Junkie', We Don't Belong Here is no throwback album. So to spare repetition I will refrain from mentioning any of the previously mentioned bands.

Opening track 'Love Is A Heavy Word' sets the pace for the album with its hyperactive bassline, squealing feedback from the guitars, and some excellent vocals. God gets a nod in the song, and religion seems to be a reoccurring theme through the album, though not a positive one as the next song, 'Jesus Stole My Girlfriend', shows. 'Son Of Sam' and 'Muscle Junkie' recount feelings of isolation and being an outcast ("Beautiful girl you've got a hole in your heart."), and both are good songs, if a little derivative.

'Dumb Machine' is the next stand out track on the album. The song sees Violent Soho drifting from the grunge feel of previous songs to a slower, less heavy sound. Lyrically the song is more ambiguous then other material too ("The hours in your heart won't keep you warm."). 'Bombs Over Broadway' goes the opposite direction with blunt, yet catchy, lyrics ("Try and run away/Fuck the system.") and a riff that sounds as fresh as it did 3 years ago.

The epic 'Birth Of The Teen-Age' is next, and with its slow burning guitar and cryptic lyrics it is sure to remind the listener of a band which I promised not to mention again. 'Outsider' is a run of the mill acoustic guitar backed with strings-type number which doesn't really grab the listener. The closing track, 'Scrape It', has the opposite effect however, with it's ear-splitting feedback and pounding drums, not to mention one of the best uses of the word "yeah" in recent times.

We Don't Belong Here is a promising debut from Violent Soho.
The worst thing I can say about this album is that they didn't record their cover of GOD's 'My Pal'. While the band is susceptible to claims of being derivative, they are definitely getting close to mastering the art of banging out a catchy tune.

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Sunday, 11 May 2008

Weekly News - May 11th


  • Not musical news, but possibly relevant to your interests is the forthcoming release of Bad Teeth #6. For the uninitiated Bad Teeth is Brisbane's premiere comic book artist (grab a copy of Rave for evidence). The book will be launched at the Alibi Room on May 29th.
  • Violent Soho have previews of 'Love Is A Heavy Word', 'Jesus Stole My Girlfriend', 'Son Of Sam', and 'Muscle Junkie' from their debut album We Don't Belong Here up on their myspace. We Don't Belong Here is scheduled to be released next month.

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Sunday, 20 April 2008

Weekly News - April 20th


  • Violent Soho have finished recording their debut album and plan on releasing it in June. While they've yet to title the LP an upcoming national tour will give them some time to think of one.
  • Hot Liquid Sex have also just finished recording, however in their case its in the guies of an EP bearing the title Unexpect The Expected. Keep an eye for its release next month.
  • At Sea continue the recording theme, but in their case they're only getting started. The band are recording their first release.
  • Teeth Lost, Hearts Won is the confirmed title for The Grates' sophomore album. They're currently recording in Connecticut with a release slated for August.
  • New Music: Scul Hazzards have got the killer 'Counter Empathy' of their LP (I know they're in France now, but we'll claim them like the Bee Gees), To The North go nuts on 'Harms Way', The Gifthorse deliver some pop-punk-pop in the guise of 'Passed The Break', Do The Robot's 'Audrey' off their debut LP Amp On Fire (released last week), and Jim Grundy has a number of cool beeptronica tracks going.
  • Finally some news only vaguely music related, Brisbane has two fine new establishments you should know about. The first is Alibi Jr, a cafe located next to The Outpost (Winn St, The Valley) run by the brainstrust behind the Alibi Room. The second is Tym's Guitars who have moved to 715 Ann St. Make sure to check them both out.

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Saturday, 1 March 2008

Favourite Brisbane Bands - Gav's Top 5


I'm a sucker for a list so here's my side of this rundown. A quick disclaimer before we start however, this list is a) lacking bands which are older (Go-Betweens, Saints, etc.), b) lacking bands which most people already now about (The Grates are the only casualty here), c) lacking bands who have recently moved (Scul Hazzards), or disbanded (Night Crash, Shakes) and d) lacking bands which Cam has already listed. On top of all this I am an extremely fickle person and this list will most likely have no meaning to me come tomorrow, but for now it is today so here goes.

I Heart Hiroshima
:

This was the easiest pick of the lot. I Heart Hiroshima are a band who I'm proud to say come from Brisbane. From the quirky name and off beat lyrics, to the slamming drums and repetitive riffs, Matt, Cam and Susie have been the soundtrack to the last two years of my life. While many are quick to whack the generic indie band label on the trio, I am of the opinion that I Heart Hiroshima are quite possibly the most unique sounding band in Australia. I constantly find myself trying to play spot the influence while listening to IHH, and yet I fail miserably each time. Instead I usually end up dropping the music geek shtick and losing myself in the sea of catchy yet discordant music they produce.

And while each one of IHH's releases has been a highlight for me, it is on stage that the band really shines. The constant energy the band puts into their music, not to mention the sheer joy that constantly emanates from Susie when she's behind the kit, propels the band from good to great in the live setting. I've now seen the band perform close to 20 times and I can still vividly remember each one (though I have to admit, the Skinny's in-store where a drunken hobo attacked a bunch of teenagers stands out). While the band may have to refine their style to make it internationally, half of me hopes that they don't so they stay in Brisbane.

Violent Soho:

Oscar Wilde once said 'Talent borrows, genius steals.' If this is true then Violent Soho may just be the next Beatles.

Okay so Violent Soho may not be geniuses, but the four boys from Mansfield have taken the almost deceased sound of grunge and beaten it into submission. Having missed grunge the first time around, I feel like I can somehow vicariously live that life via Violent Soho. And why not when they channel the sound of bands such as Mudhoney and Green River so perfectly? Indeed one of the corner pieces of recent sets has been their searing cover of Melbourne band GOD's 1989 song 'My Pal'. While their debut EP was catchy as hell, it had a feel of youthful ignorance to it that stopped it from being the great release it could have been. Recent tracks may signal an improvement however, with 'Son Of Sam' and 'Jesus Stole My Girlfriend' both showing signs of the band finding its on niche within grunge.

Del Toro:

When ever Del Toro comes up in conversation it seems unavoidable that words such as 'cinematic', 'western', and 'desert' will be used. And while their is a huge Morricone vibe running through most of their songs, Del Toro turn it into The Good, The Bad, And The Acid Casualty. Indeed if they were to score a film it would be a western, but one set in space or a post-apocalyptic setting (a la Firefly).

The trio have just finished recording their debut album with Casey Rice (Dirty Three, Tortoise, Veruca Salt) which should be released sometime in the near future.

The John Steel Singers:

JSS are probably the band most likely to succeed in Brisbane at the moment. Anyone who has seen them live or heard their debut EP will testify this. The six lads take every current musical trend and throw them out the window in favour of a classic 60's pop sound drawing straight from The Beatles and The Beach Boys. That said they never fall into the trap of being derivative, rather they keep things fresh via unique melodies, quirky lyrics, and the ability to take a song in the opposite direction from what you're expecting, even if you've just listened to the it a dozen times. They've also just finished recording an new EP, so keep an eye for that one.

Young Liberals:

The Young Liberals are the dark horse of this list. Indeed they've only played live once (their second gig is tonight), yet they have already recorded two albums. The reasoning behind this is a goal to record an album for each month of 2008, and so far so good. The band combines the sound of 60's garage rock with lyrics reminiscent of David McCormack (E.g. A song about Robbie William's CD's being used to pave roads in China). The result is some of the most entertaining music I've heard in recent times. I won't go into much more as I'll be posting a review of the albums soon, but if you get the opportunity to see the Young Liberals play I couldn't recommend it more.

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Sunday, 20 January 2008

Weekly News - January 20th


  • 2008 is getting along well, and so are Brisbane's premier grunge revivalists, Violent Soho. The band have just posted another excellent track, 'Muscle Junkie', on their myspace. Hopefully this burst of activity is a build up to some sort of release, but for the impatient ones among you the band will be touring next month.
  • An Horse have also been busy. The duo or putting the finishing touches to their new record with Brisbane's own super-producer Magoo. As a teaser the band have uploaded the unmastered yet unquestionably brilliant 'Company' to their myspace.
  • Psych-popsters New Manic Spree are gearing up for their debut release next week. The three track demo EP will be launched next Friday at The Zoo.
  • The Ambitious Lovers are also recording and have posted a bunch of demos from their forthcoming 7".

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Friday, 4 January 2008

Weekly News - January 7th


  • If you haven't already heard, Skinny's is no longer closing down. Instead the store will remain open under new ownership, but no other major changes. This is great news for anyone made a purchase or witnessed an instore performance at Skinny's over the years. Fingers crossed there will be many more to come.
  • A new year means a new Hot 100 from 4ZzZ. Congratulations goes to Texas Tea who took out the number one spot for the second year running with their song 'Whiskey And Wine', as well as eight spot with another song. Six Ft Hick and I Heart Hiroshima also performed strongly with two songs a piece. Head over to the 4ZzZ website to see the whole list.
  • Congratulations also goes to the John Steel Singers who have won the Queensland leg of Triple J Unearthed, giving them the opportunity to play at the Gold Coast Big Day Out.

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