To celebrate a new year, here's something that doesn't require much effort from me to share. It's a video clip for Tragic Athletic's 'We Set Sail When The Wind Came', from their rather awesome 2008 10" EP Brakes. Apparently they have a new EP in the works.
I have a whole stack of records I'd like to talk about sitting next to my computer, so if I can motivate myself I might do a big roundup of a heap of newish releases from the latter part of 2009.
I remember seeing Tragic/Athletic starting out as a noisy little three-piece back in the days of 610 and Jamie's carpark. They were like a little version of Turnpike (which is no bad thing). Who would have thought that a few years later, with a couple of releases under their belt, they'd come out with something like their new 10" EP Brakes? While there are certainly still echoes of that past band, their sound has grown to encompass a wider range of instruments and moods, no doubt influenced by Paul Donoghue's country-infused BigStrongBrute and Ollie Mackay's time in the shoegaze-esque The Rational Academy. I mean, who would have thought that an entity like MTV would one day pick them as one of their five favourite up-and-coming Brisbane bands (as they did just recently as part of the MTV Kickstart competition)?
The first thing you'll notice on purchase of the 10" is the packaging (obviously). It must be said, it's a beautiful looking piece of vinyl (and for those of you who prefer your sound in digital formats, it comes with a copy of the EP on CD too). The second thing you'll notice, once you've placed it on you turntable, is that it sounds really good - clear yet warm and dynamic. It's not 'hi-fi' per se (ie: you're not going to mistake it for a Magoo recording, or perhaps not even a Bryce Moorhead recording), but it nails that slightly raw indie-rock sound that albums like Funeral or You Forgot It In People have popularised. I think it's the best thing I've heard from local Recording Engineer Todd Dixon.
But onto the songs (which will collectively be the third thing you'll notice). 'We Set Sail When The Wind Came' is notable in it's opening slot for not containing any of Tragic/Athletic's previous trademark guitars until 35seconds into the song - instead the band have chosen to open the EP with synths, keys and rudimentary drums. A brief four-bar guitar interlude gives way to the full band entering the song in full bombast, with multi-tracked vocals half singing, half chanting the lyrics. The song has a decided sea-shanty feel, helped along by the accordion that drones away through the majority of the song. It's certainly a strong opener, and a definite favourite in the band's discography.
'Three Months At Sea' is next up, starting with some sort of ambient sound effect and a two-chord, single strum guitar progression. Lethargic vocals enter, then bass and drums, the song gradually building in energy before falling back to how it began. Eventually the band breaks into a more rollicking section, still utilising the same two-chord progression. Once more a short breakdown featuring dissonant guitar introduces the final section of the song, where the band picks up speed and finally brings in some new chords, along with a horn section and a truly joyous, celebratory feel. The end effect is a song that is strongly reminiscent of the previously referenced Broken Social Scene, though the recording doesn't quite capture the live power of the song (see the YouTube video at the end of this review to get an idea of that).
'Make For The Hills' is probably the most straight-forward and upbeat of the tracks on Brakes, wasting no time on building up a head of steam. Instead it plunges straight into a tense riff for the first 45 second of the songs, then heads into Tragic/Athletic's version of the disco-punk thing that was ubiquitous a few years back. Another spacey, introspective middle section follows, before the band races to the end of the song with the previously introduced disco rhythm. It's *probably* my least favourite track, but that's not really much of a slight given the consistency of this release.
The final track of the EP, 'Four Decades', initially might seem more akin to the Tragic/Athletic that many may be more familiar with. With its insistently jagged bass riff and rhythm it sounds more like the noise-rock that the band was initially known for. However, even in this song they show progression, with the minimalist feel of the track sounding closer to something My Disco's Paradise album than anything else. And again, the band throws a sudden change into the song when they switch from repetitive post-punk to a woozy reverb-washed guitar 'chorus', before again faking us out by introducing a middle section featuring subdued group chanting over the top of a simplistic drum part. The EP closes out on a decidedly ambiguous note - this definitely isn't the stereotypical 'big rock finish' that most bands opt to end a release with.
I like this release, if for no other reason than it's heartening to see a band like Tragic/Athletic stick around when other bands of their era (eg: Frou Frou Foxes) petered out and died; seeing progression and maturity in a band like this is such a rare thing in Brisbane. It's also heartening to see a band like Tragic/Athletic being unafraid of introducing more 'populist' elements into their music - too often bands in Brisbane seem to think you either have to be as mainstream-courting as Yves Klein Blue or as underground-embracing as On-Oxx (not having a go at either of those bands). There IS a middle ground, which bands like I Heart Hiroshima and Iron On have shown. It also helps that Brakes is a genuinely good collection of songs, one that holds its own surprises and moods and that is as cohesive a release as you'll find in its genre (an aspect that The Rational Academy's A Heart Against Your Own could be criticised for, as much as I love it). That said, as much as the band is making admirable steps toward a more accessible sound while still retaining their original aesthetic, this is still music that requires a pre-existing disposition to raw indie-rock to enjoy. The vocals parts are certainly a lot more melodic and 'catchy' than they were previously, but your average JJJ listener will still probably find them too rough.
Then again, if MTV likes them than I don't see why Richard Kingsmill and his followers can't.
Jangle-rockers Mr. Rascal will be launching their debut album, A Pocketful Of Smoke, this Saturday at QPAC's Cremorne Theatre. If the first single, 'Let It Roll', is anything to go by, A Pocketful Of Smoke will be one of the most promising albums to be released in Brisbane this year.
It seems to be EP season at the moment. Blue Carousel, Hungry Kids Of Hungary, and Nikko have just released their debut EP's, while Wind&Brackets are getting ready to release their's this Saturday at Valley Studios.
New Music:
Tragic/Athletic - Three Months At Sea/Make For The Hills: I couldn't get these two tracks to play on myspace, but, having heard 'Three Months At Sea' previously, I can say it is a beautifully epic track from the band, complete with a soaring brass part towards the end of the song.
Okay, maybe not so weekly news. I've been without internet for the last three weeks or so, but I'm connected again so no excuses. Thankfully not much has occurred in that time, but here's the important bits.
Screamfeeder are gigging again, with original drummer Dean returning to the fold. The band have scored the support slot for Buffalo Tom next month.
The Scul Hazzards have now departed Brisbane for France. While he band will release their debut album later in 2008 via local imprint Valve, you can have a sneak peek at one of the new songs, 'Greater Good', on their myspace.
The venue and date for the third installment of the No Culture event have been announced. This time round it will take place over two days (30-31st May) with the first day occurring at Lofly Hangar and the second at Ahimsa House.
New segment coming at y'all! This one's fairly self-explanatory.
Post-punk revivalists Yves Klein Blue have signed to Brisbane's foremost independent record label, Dew Process. Apparently the label was attracted by Yves Klein Blue's "clashy blend of classic pop, old punk, gypsy jazz and indie rock." Personally I'm a little skeptical about Yves Klein Blue's "gypsy jazz" origins, but you can find out for yourself December 11th when the band plays The Zoo alongside The Grates, Dr Dog, and Whitley for the Dew Process Xmas Party.
Virgin has announced the first lineup for 2008's V Festival. The list is short but sweet, including luminaries like Smashing Pumpkins, Jesus And Mary Chain, Queens of the Stone Age, Duran Duran, and Air. Unfortunately the only Australian acts announced are Sydney's The Presets, and Melbourne's Plug In City, so fingers crossed some Brisbane acts fit into the final lineup. The local leg of the tour occurs March 30th on the Gold Coast, with tickets on sale next Thursday.
December is a month of birthday celebrations for Brisbane's musical institutions. 4ZzZ is in line for a mid-life crisis at 32, while The Zoo ups the ante with some teen angst 15 years after they opened their doors. Both 4ZzZ and The Zoo will be holding shows to celebrate so keep an eye on Cam's gig recommendations.
Local folk-poppers Rialto Decibal Choir are set to drop their debut release, The Parade EP, in January next year. Head over to their MySpace page to check out the first offering from the EP, 'Four Posts'.
Tragic/Athletic are also gearing up for their latest EP, Brakes, which will be available sometime in December (or possibly June/July 2008 as I've heard elsewhere, I'm going to give December the benifit of the doubt though). Two of the four tracks, 'Three Months At Sea' and 'We Set Sail When The Wind Came', are available on their MySpace so I recommend investigating.
If you can't wait for the above two releases then be sure to pick up Joel SaundersGirly Music EP which will be launched at Lofly Hangar tomorrow night. The EP features Joel covering songs by female artists, including an impressive remake Rihanna's 'Umbrella' (To the point were the song is no longer annoying!). As a lead up to the launch Joel has been blogging about his favourite cover songs, among which sits local band Shakes' cover of Cyndi Lauper's 'Time After Time'. I recommend having a look at the post here.
Before Hollywood is a blog catering to Brisbane's indie music scene. We aim to provide the latest news, reviews, and gig coverage. Before Hollywood is maintained by Gav (currently in China) and Cam (still in Brisbane). Check out our myspace and facebook pages too.
If the purpose of Stranded was to show outsiders just how much damn fine music Brisbane is turning out then it has more than been successful. - Polaroids Of Androids Anyone who has an interest in the Brisbane music scene needs to own this. - Rave Magazine
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